THE NUMBER ONE SUNDAY TIMES BESTSELLER WINNER OF THE 2010 COSTA BIOGRAPHY AWARD 264 wood and ivory carvings, none of them bigger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great uncle Iggie's Tokyo apartment. When he later inherited the 'netsuke', they unlocked a story far larger and more dramatic than he could ever have imagined. From a burgeoning empire in Odessa to fin de siecle Paris, from occupied Vienna to Tokyo, Edmund de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. 'You have in your hands a masterpiece' Frances Wilson, Sunday Times 'The most brilliant book I've read for years... A rich tale of the pleasure and pains of what it is to be human' Bettany Hughes, Daily Telegraph, Books of the Year 'A complex and beautiful book' Diana Athill
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The definitive illustrated edition of the international bestseller Two hundred and sixty-four Japanese wood and ivory carvings, none of them larger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great-uncle Iggie's Tokyo apartment. When he later inherited the netsuke, they unlocked a far more dramatic story than he could ever have imagined. From a burgeoning empire in Odessa to fin de siècle Paris, from occupied Vienna to postwar Tokyo, de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. With sumptuous photographs of the netsuke collection and full-color images from de Waal's family archive, the illustrated edition of The Hare with Amber Eyes transforms a deeply intimate saga into a work of visual art.
- Author : Anonim
- Publisher : Unknown
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- Genre : Uncategorized
- Pages : 231
- ISBN : 9876543210XXX
63 rue de Monceau, Paris Dear friend, As you may have guessed by now, I am not in your house by accident. I know your street rather well. Count Moïse de Camondo lived a few doors away from Edmund de Waal's forebears, the Ephrussi, first encountered in his bestselling memoir The Hare with Amber Eyes. Like the Ephrussi, the Camondos were part of belle époque high society. They were also targets of anti-semitism. Camondo created a spectacular house and filled it with the greatest private collection of French eighteenth-century art for his son to inherit. But when Nissim was killed in the First World War, it became a memorial and, on the Count's death, was bequeathed to France. The Musée Nissim de Camondo has remained unchanged since 1936. Edmund de Waal explores the lavish rooms and detailed archives and uncovers new layers to the family story. In a haunting series of letters addressed to the Count, he tells us what happened next.
** A Sunday Times Top Ten Bestseller ** "Other things in the world are white but for me porcelain comes first" A handful of clay from a Chinese hillside carries a promise: that mixed with the right materials, it might survive the fire of the kiln, and fuse into porcelain – translucent, luminous, white. Acclaimed writer and potter Edmund de Waal sets out on a quest - a journey that begins in the dusty city of Jingdezhen in China and travels on to Venice, Versailles, Dublin, Dresden, the Appalachian Mountains of South Carolina and the hills of Cornwall to tell the history of porcelain. Along the way, he meets the witnesses to its creation; those who were inspired, made rich or heartsick by it, and the many whose livelihoods, minds and bodies were broken by this obsession. It spans a thousand years and reaches into some of the most tragic moments of recent times. In these intimate and compelling encounters with the people and landscapes who made porcelain, Edmund de Waal enriches his understanding of this rare material, the ‘white gold’ he has worked with for decades. ** Book of the Week on BBC Radio 4 **
This book was written by the author of the award-winning author of `Hare with the Amber Eyes¿ Edmund de Waal and includes full colour illustrations of all Leach¿s best-known work. This book features a new foreword putting the book in context since its first publication and has been reissued in the brand new hardback British Artists format. Bernard Leach was a pre-eminent artist-potter of the twentieth century. In the early part of his career he spent twelve formative years in Japan, during a period of febrile excitement in the arts. In 1920 he returned to England to set up a studio in St Ives. Leach¿s influence on the growth of the studio pottery movement, both in Japan and in the West, has been profound. His making of ceramics and his teaching of some of the foremost aritst-potters of the period gives him a central place in the international history of the decorative arts. Edmund de Waal is a world-famous author and ceramicist. He wrote the `The Hare with Amber Eyes¿ which won the Costa Book Award for Biography and the Galaxy National Book Award (New Writer of the Year Award), and was also selected as an Economist Book of the Year.
The history of ceramic art is ingrained in the history of mankind. Clay is one of the very first materials 'invented' by man. An essential part of our lives it has been moulded, thrown, glazed, decorated and fired for over 30,000 years in order to preserve and transport food and water. And it was on the surface of these early jugs, vases, dishes, plates, beakers and amphorae that man placed some of his first decorative markings. In more recent times clay has been used not just by artisans and potters, but also by artists, designers and architects. The Pot Book is the first publication to document the extraordinary range and variety of ceramic vessels of all periods, from a delicate bowl made by an unnamed artisan in China in the third millennium bc, or a jug made in eighteenth-century Dresden, to a plate made by Picasso in 1952, a 'spade form' made by Hans Coper or the vases of Grayson Perry today. Each entry is sequenced in alphabetical order by the name of the artist/potter, the school, or style, creating a grand tour through the very finest examples of the artform.
I’ve been thinking about new ways to make pauses, spaces, and silences, where breath is held inside and between each vessel, between the objects and the vitrines, the vitrines and the room. —Edmund de Waal Though known for his best-selling novel The Hare with Amber Eyes (2010), de Waal is primarily a ceramic artist. He has been shown and collected by museums throughout the world. This beautiful catalogue documents his first show with Gagosian Gallery, New York. Atemwende comprises a series of vitrines containing thrown porcelain vessels arranged in specific groupings. From simple pairs of pots to complex multitudes in their hundreds, these minimalist dichotomies in black and white suggest the sequences and patterns of a musical score, while titles cite the poetry of Paul Celan, Wallace Stevens, and others.
'The Fall is a moving portrait of a relationship with a child and a place. It is a rare book: by turns heartbreaking, angry and lyrical' – Edmund de Waal, author of The Hare With Amber Eyes. Step 1: Tito has cerebral palsy. Step 2: I blame Tito’s cerebral palsy on Pietro Lombardo. Join Diogo Mainardi and his son Tito in a journey of 424 steps, starting with Tito’s disastrous birth in Venice, in Lombardo’s Renaissance hospital. It’s a journey full of joy and reflection, and an honest exploration of fatherhood. It’s a journey that follows the arc of Western culture, from Dante Alighieri, Rembrandt van Rijn and Claude Monet to Marcel Proust, Neil Young and Assassin’s Creed, to show how one boy’s fate has been shaped by history. Above all, it’s a celebration of love and courage, and of the hope and faith we place in our children.
"This is the book on porcelain we have been waiting for. . . . A remarkable achievement."—Edmund de Waal, author of The Hare with Amber Eyes A sweeping cultural and economic history of porcelain, from the eighteenth century to the present Porcelain was invented in medieval China—but its secret recipe was first reproduced in Europe by an alchemist in the employ of the Saxon king Augustus the Strong. Saxony’s revered Meissen factory could not keep porcelain’s ingredients secret for long, however, and scores of Holy Roman princes quickly founded their own mercantile manufactories, soon to be rivaled by private entrepreneurs, eager to make not art but profits. As porcelain’s uses multiplied and its price plummeted, it lost much of its identity as aristocratic ornament, instead taking on a vast number of banal, yet even more culturally significant, roles. By the nineteenth and twentieth centuries, it became essential to bourgeois dining, and also acquired new functions in insulator tubes, shell casings, and teeth. Weaving together the experiences of entrepreneurs and artisans, state bureaucrats and female consumers, chemists and peddlers, Porcelain traces the remarkable story of “white gold” from its origins as a princely luxury item to its fate in Germany’s cataclysmic twentieth century. For three hundred years, porcelain firms have come and gone, but the industry itself, at least until very recently, has endured. After Augustus, porcelain became a quintessentially German commodity, integral to provincial pride, artisanal industrial production, and a familial sense of home. Telling the story of porcelain’s transformation from coveted luxury to household necessity and flea market staple, Porcelain offers a fascinating alternative history of art, business, taste, and consumption in Central Europe.
‘Nobody has done more harm to me . . . than Jawaharlal Nehru,’ wrote Subhas Chandra Bose in 1939. Had relations between the two great nationalist leaders soured to the extent that Bose had begun to view Nehru as his enemy? But then, why did he name one of the regiments of the Indian National Army after Jawaharlal? And what prompted Nehru to weep when he heard of Bose’s untimely death in 1945, and to recount soon after, ‘I used to treat him as my younger brother’? Rudrangshu Mukherjee’s fascinating book traces the contours of a friendship that did not quite blossom as political ideologies diverged, and delineates the shadow that fell between them—for, Gandhi saw Nehru as his chosen heir and Bose as a prodigal son.
The first monograph on Edmund de Waal, the internationally renowned artist and bestselling author of The Hare with the Amber Eyes. Featuring contributions from Emma Crichton–Miller, Colm Toibin, Peter Carey, AS Byatt, Alexandra Munroe, and Deborah Saunt. The first complete survey of de Waal’s career to date, this groundbreaking monograph encompasses major exhibitions and installations at the Victoria and Albert Museum, Tate Liverpool, and the Gagosian Gallery in New York. Stunning photography conveys the delicacy of de Waal’s works and provides a rare glimpse into his studio practice. In addition to being one of the world’s leading ceramicists, de Waal is also a renowned historian of the medium. His critical and personal essays and poetry are interspersed throughout the book, bringing to light the prominence of ceramics in our everyday lives. Together, de Waal’s art and writing speak to his enduring fascination with the nature of objects and the attendant history of their collection and display. Contributions to this monograph by novelists Colm Toibin, Peter Carey, and AS Byatt appear alongside critical essays by Guggenheim curator Alexandra Munroe, journalist Emma Crichton–Miller, and architect Deborah Saunt. Elegant papers and a tooled case make Edmund de Waal an exquisitely collectable object.
'An extraordinary story - so cadenced and so moving.' -- Edmund de Waal, author of The Hare with Amber Eyes 'An extraordinary and compelling book of reckonings - a journey across a long, complex and deeply painful arc of history, grippingly told - a wonderful melding of the personal and the political, the family and the historical.' -- Philippe Sands, author of East West Street *** Kurt Schindler was an impossible man. His daughter Meriel spent her adult life trying to keep him at bay. Kurt had made extravagant claims about their family history. Were they really related to Franz Kafka and Oscar Schindler, of Schindler's List fame? Or Hitler's Jewish doctor - Dr Bloch? What really happened on Kristallnacht, the night that Nazis beat Kurt's father half to death and ransacked the family home? When Kurt died in 2017, Meriel felt compelled to resolve her mixed feelings about him, and to solve the mysteries he had left behind. Starting with photos and papers found in Kurt's isolated cottage, Meriel embarked on a journey of discovery taking her to Austria, Italy and the USA. She reconnected family members scattered by feuding and war. She pieced together an extraordinary story taking in two centuries, two world wars and a family business: the famous Café Schindler. Launched in 1922 as an antidote to the horrors of the First World War, this grand café became the whirling social centre of Innsbruck. And then the Nazis arrived. Through the story of the Café Schindler and the threads that spool out from it, this moving book weaves together memoir, family history and an untold story of the Jews of the Austro-Hungarian Empire. It explores the restorative power of writing, and offers readers a profound reflection on memory, truth, trauma and the importance of cake.
Netsuke have once again come to the fore in the popular imagination of the public. In part this is due to the phenomenal success of Edmund De Waals 2010 book, Hare with the Amber Eyes, which highlights a treasured netsuke collection that was challenged by war and the vicissitudes of time. Intricately carved from various materials including ivory, wood and metal, these small toggles served a practical purpose in Japan: a netsuke was used to fasten a mans sash, an integral part of Japanese costume. Up until the seventeenth century netsuke were relatively insignificant objects that were rarely of artistic interest, but as time passed they evolved in terms of both materials and workmanship, and were then used by men to flaunt their wealth or as an expression of status. Today netsuke are considered an art form in their own right and are prized by collectors around the world. They are found in a variety of forms and depict a wide range of subjects including figures of human and legendary form, ghosts, animals, botanical subjects and masks. Skilfully worked, these miniature carvings are of great artistic value, but they also provide a window into Japanese culture and society. This book brings together one hundred of the most beautiful and interesting netsuke from the extensive collection of the British Museum, each of which has its own special charm and story to tell. Uncovering the stories behind these netsuke and coupling them with stunning new photography, this book reveals why these tiny objects have captivated so many, the meaning they have held for those who wore them, and what they can tell us about Japanese everyday life.
Inspired by the way Edmund de Waal uses the netsuke in the Hare with Amber Eyes as a vehicle to tell the history of a family, Mary Ryllis Clark uses nearly 100 beautiful objects, chosen by her friend Nina Stanton, not only to make symbolic connections to Nina¿s own exploration of her life, but also to introduce the reader to the historic, cultural and social context of the world of the fine and decorative arts in Australia. These often acute observations make a fitting legacy for the life and work of Nina Stanton.This book offers autobiographical insights into the life, experiences and deep feelings of Nina Stanton. Nina was a trail-blazer. She graduated successfully from the inaugural year of the first-ever Museum Studies course in Victoria. Her consulting business was among the first in Australia to offer specialised services for museums and she punctuated her career in Melbourne with employment in Queensland, New South Wales and Norfolk Island. Hers was a life in which a great deal had been accomplished. This book reflects the professional heart and central passion of her life: the care and interpretation of objects in a collection.Nina selected objects that triggered memories of different times in her life, including antique furniture, clocks, paintings, silverware, glass and porcelain. Through them she tells her story which Mary shapes into an introduction to the fine and decorative arts. It is a story about choices and redemption, using the objects as a bridge to self knowledge and general knowledge.This book will introduce the reader to the little-known world of the fine and decorative arts in Australia and will be a valuable contribution to our understanding of the world of the curator and the place of objects in the history of Australia.
'A wonderful book about wonderful books and mothers and sons and the enduring braid between them.' - Mitch Albom, author of Tuesdays With Morrie 'a true meditation on what books can do.' - Edmund de Waal, author of The Hare with Amber Eyes Mary Anne Schwalbe is waiting for her chemotherapy treatments when Will casually asks her what she's reading. The conversation they have grows into tradition: soon they are reading the same books so they can have something to talk about in the hospital waiting room. Their choices range from classic (Howards End) to popular (The Girl with the Dragon Tattoo), from fantastic (The Hobbit) to spiritual (Jon Kabat-Zinn), with many more in between. We hear their passion for reading and their love for each other in their intimate and searching discussions. The End of Your Life Book Club is a profoundly moving testament to the unconditional love between a child and parent, and the power of reading in our lives.
Three journeys. Three thousand years. One destination. The Devil’s Highway is a thrilling, epic and timely tale of love, loss, fanaticism, heroism and sacrifice. ‘Brilliant ... a powerful meditation on the damages – and the good – we have wrought, and will wreak, on the living world’ Robert Macfarlane, Book of the Year