The Cult Film Experience Book PDF

The Cult Film Experience

  • Author : J. P. Telotte
  • Publisher : University of Texas Press
  • Release Date : 1991-05-01
  • Genre : Performing Arts
  • Pages : 236
  • ISBN : 9780292711440

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The Cult Film Experience Book Description :

"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

The Address of the Eye Book PDF

The Address of the Eye

  • Author : Vivian Sobchack
  • Publisher : Princeton University Press
  • Release Date : 1992
  • Genre : Performing Arts
  • Pages : 330
  • ISBN : 9780691008745

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The Address of the Eye Book Description :

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. This title challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus.

The Multisensory Film Experience Book PDF

The Multisensory Film Experience

  • Author : Luis Rocha Antunes
  • Publisher : Intellect Books
  • Release Date : 2016-05-01
  • Genre : Art
  • Pages : 218
  • ISBN : 9781783206308

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The Multisensory Film Experience Book Description :

When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

Film Experience Book PDF

Film Experience

  • Author : Melanie McQuitty
  • Publisher : Unknown
  • Release Date : 2006
  • Genre : Film criticism
  • Pages : 167
  • ISBN : 1109857713

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Film Experience Book Description :

In order to probe the narrative element essential to film I appropriate Paul Ricoeur's idea of threefold mimesis as detailed in his three-volume work Time and Narrative. On Ricoeur's view, narrative is a process in three stages: the first stage, pre-figuration, is what is referred to as pre-formed human experience; the second stage is configuration, which is the actual activity of organizing pre-formed human experience into a narrative; and the third stage, refiguration, is that stage in which the world of the reader or viewer and the world of the work come together.

The Film Experience Book PDF

The Film Experience

  • Author : Timothy Corrigan
  • Publisher : Bedford/st Martins
  • Release Date : 2004
  • Genre : Performing Arts
  • Pages : 547
  • ISBN : 0312414730

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The Film Experience Book Description :

The Structures of the Film Experience by Jean Pierre Meunier Book PDF

The Structures of the Film Experience by Jean Pierre Meunier

  • Author : Julian Hanich
  • Publisher : Amsterdam University Press
  • Release Date : 2019-09-06
  • Genre : Biography & Autobiography
  • Pages : 352
  • ISBN : 9789048537846

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The Structures of the Film Experience by Jean Pierre Meunier Book Description :

For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

The Cult Film Experience Book PDF

The Cult Film Experience

  • Author : J. P. Telotte
  • Publisher : University of Texas Press
  • Release Date : 2014-02-19
  • Genre : Performing Arts
  • Pages : 236
  • ISBN : 9780292761858

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The Cult Film Experience Book Description :

"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

The Film Experience   Launchpad Solo for the Film Experience Six Months Access Card Book PDF

The Film Experience Launchpad Solo for the Film Experience Six Months Access Card

  • Author : TIMOTHY. CORRIGAN
  • Publisher : Unknown
  • Release Date : 2017-11-03
  • Genre : Uncategorized
  • Pages : 231
  • ISBN : 1319192971

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The Film Experience Launchpad Solo for the Film Experience Six Months Access Card Book Description :

The experience of watching films can begin with journeying to imaginary worlds, witnessing re-creations of history, observing stars in familiar and unfamiliar roles, and exploring the laughter, thrills, or emotions of different genres. Understanding the full depth and variety of these experiences starts with that enjoyment. But it also requires knowledge of the technology, business, history, and visual language of cinema. The Film Experience brings all of this together in one comprehensive book. The Film Experience: An Introduction aims to help students learn these film languages and synthesize them into a cohesive understanding of the medium that will, in turn, enhance their own film experiences. The new edition places special emphasis on representation throughout the history of film, highlighting voices and groups from the past that interact with the medium's future. More than ever, the book places important historical developments in the modern, accessible context of ever-changing film technology, economics, and narrative. Throughout the book (and online through its LaunchPad Solo), perfect examples and digital tools bring this material to life.

The Independent Film Experience Book PDF

The Independent Film Experience

  • Author : Kevin J. Lindenmuth
  • Publisher : McFarland
  • Release Date : 2002-01-31
  • Genre : Performing Arts
  • Pages : 240
  • ISBN : 0786410752

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The Independent Film Experience Book Description :

You see them on the video shelves, with titles such as Shadow Tracker, Psycho Girls, and The Blair Witch Project. Skeptically, perhaps, you rent one and slip it into the VCR. Hey, you think, this isn't so bad--sometimes actually quite good. Suddenly, you discover that there is a whole range of movies from filmmakers operating outside the studio system that have their own attractions that the big budget fare can't match. You have, of course, discovered the world of independent filmmaking. A fascinating group of independent film directors and producers, in interviews with the author, discuss their work and the state of the independent film industry at the end of the 20th century. Joe Bagnardi, Dennis Devine, Andrew Harrison, Jeff Leroy, Andrew Parkinson, Brett Piper, and 23 others cover such topics as the increased interest in independent films and how they are changing thanks to high-tech advances. These filmmakers vary widely in age, experience, formats and budgets--and choice of subject matter--but they all have a great passion for their work.

The Poetics of Radical Hope in Abderrahmane Sissako   s Film Experience Book PDF

The Poetics of Radical Hope in Abderrahmane Sissako s Film Experience

  • Author : Olivier-Jean Tchouaffe
  • Publisher : Lexington Books
  • Release Date : 2017-05-04
  • Genre : Art
  • Pages : 162
  • ISBN : 9781498539821

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The Poetics of Radical Hope in Abderrahmane Sissako s Film Experience Book Description :

This book explores Sissako’s original cinematic vision, which tackles complex in-depth African realities with the power of imaginative excellence. Sissako’s work defies existing normative global geopolitics and conditions of knowledge and aesthetic production in Africa through radical hope and creative adaptation.

An Introduction to Film Studies Book PDF

An Introduction to Film Studies

  • Author : Jill Nelmes
  • Publisher : Psychology Press
  • Release Date : 2003
  • Genre : Performing Arts
  • Pages : 500
  • ISBN : 0415262690

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An Introduction to Film Studies Book Description :

An Introduction to Film Studies has established itself as the leading textbook for students of cinema. This revised and updated third edition guides students through the key issues and concepts in film studies, and introduces some of the world's key national cinemas including British, Indian, Soviet and French. Written by experienced teachers in the field and lavishly illustrated with over 122 film stills and production shots, it will be essential reading for any student of film.Features of the third edition include:*full coverage of all the key topics at undergraduate level*comprehensive and up-to-date information and new case studies on recent films such as Gladiator , Spiderman , The Blair Witch Project, Fight Club , Shrek and The Matrix*annotated key readings, further viewing, website resources, study questions, a comprehensive bibliography and indexes, and a glossary of key terms will help lecturers prepare tutorials and encourage students to undertake independent study.Individual chapters include:*Film form and narrative*Spectator, audience and response*Critical approaches to Hollywood cinema: authorship, genre and stars*Animation: forms and meaning*Gender and film*Lesbian and gay cinema*British cinema*Soviet montage Cinema*French New Wave*Indian Cinema

The Film Experience Book PDF

The Film Experience

  • Author : Roy Huss
  • Publisher : Unknown
  • Release Date : 1968
  • Genre : Motion pictures
  • Pages : 172
  • ISBN : UCSC:32106017152106

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The Film Experience Book Description :

Studyguide for the Film Experience  an Introduction by Timothy Corrigan  ISBN 9780312681708 Book PDF

Studyguide for the Film Experience an Introduction by Timothy Corrigan ISBN 9780312681708

  • Author : Cram101 Textbook Reviews
  • Publisher : Cram101
  • Release Date : 2013-01-01
  • Genre : Uncategorized
  • Pages : 202
  • ISBN : 1490210237

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Studyguide for the Film Experience an Introduction by Timothy Corrigan ISBN 9780312681708 Book Description :

Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780312681708 .

The Address of the Eye Book PDF

The Address of the Eye

  • Author : Vivian Sobchack
  • Publisher : Princeton University Press
  • Release Date : 2020-05-05
  • Genre : Performing Arts
  • Pages : 358
  • ISBN : 9780691213279

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The Address of the Eye Book Description :

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Hermeneutics of the Film World Book PDF

Hermeneutics of the Film World

  • Author : Alberto Baracco
  • Publisher : Springer
  • Release Date : 2017-10-09
  • Genre : Philosophy
  • Pages : 321
  • ISBN : 9783319654003

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Hermeneutics of the Film World Book Description :

This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty’s and Ricœur’s philosophies, and reconsidering Goodman’s theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.

The Film Experience Book PDF

The Film Experience

  • Author : Roy Huss
  • Publisher : Unknown
  • Release Date : 1958
  • Genre : Uncategorized
  • Pages : 172
  • ISBN : OCLC:3291660

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The Film Experience Book Description :

The Mind Game Film  Cinema in the Digitalized Societies of Control Book PDF

The Mind Game Film Cinema in the Digitalized Societies of Control

  • Author : Malte Mindermann
  • Publisher : GRIN Verlag
  • Release Date : 2014-12-08
  • Genre : Performing Arts
  • Pages : 18
  • ISBN : 9783656855026

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The Mind Game Film Cinema in the Digitalized Societies of Control Book Description :

Seminar paper from the year 2014 in the subject Communications - Movies and Television, grade: 1.0, University of Hannover (Englisches Seminar (English Department)), course: Digital Movies, Chaos Cinema, Post-Cinematic Affect: Thinking 21st-Century Motion Pictures, language: English, abstract: This thesis brings into relation Thomas Elsaesser's category of the "mind-game film" and Gilles Deleuze's observations of a new depiction and awareness of time in film. The mind-game film is then read as symptomatic of a social change from a society of "discipline" towards a "society of control" (Michel Foucault). In the course of this analysis, the catalyst role of technical progress and pervasive interconnectedness becomes evident. Traditional tenets of cinema and storytelling are overcome and played with. Time, which used to flow naturally, and therefore unnoticed, has evolved into a crucial, freely modulatable dimension of its own and serves as an additional structural and narrational level on top of the spatial dimensions. This development is propelled by the rise of the digital image and its manifold possibilities of interfering with the flow of time. Likewise, the principle of "focalization" is extended beyond the idea of merely directing our attention, towards the total filtration of the film reality through the (subjective) vision of a (or several) character(s) (Buckland 8). Thriving on these central elements, mind-game films aim to deceive the spectator by determining when, or if, he/she receives certain information which is crucial to the understanding of the story. Just as no focal character can possibly be sure of his/her own perception's reliability or, for that matter, his/her own mental sanity, we cannot trust our perception. What we see is the image of an image, filtered through a succession of two minds, the character's virtual one and our own [...]

Filmosophy Book PDF

Filmosophy

  • Author : Daniel Frampton
  • Publisher : Wallflower Press
  • Release Date : 2006
  • Genre : Performing Arts
  • Pages : 254
  • ISBN : 1904764843

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Filmosophy Book Description :

'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.

Soundtrack Available Book PDF

Soundtrack Available

  • Author : Arthur Knight
  • Publisher : Duke University Press
  • Release Date : 2001-12-03
  • Genre : Performing Arts
  • Pages : 502
  • ISBN : 9780822380986

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Soundtrack Available Book Description :

From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring. With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both “nondiegetic” music in film—the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience—and “diegetic” music—music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack. Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi