Now in its fifth edition, Greek Art and Archaeology charts the achievements of Greek art and civilization over 3000 years, from the abstract figures of the Cycladic islands and the mighty palaces of Crete to the baroque sculptures and complex architecture of the Hellenistic kingdoms. This new edition introduces a wealth of new material including discussion and illustration of new findings at early Bronze Age sites in Crete and the Cycladic Islands, the fourteenth century bc Uluburun shipwreck, the evolution of coinage in the Greek city states, the purpose and function of temples and the kouros figure in Archaic Greece, new ideas on interpreting the frieze of the Parthenon, and expanded coverage of the wealth and culture of Macedon. In addition, there are over 50 new color images of key works in the history of Greek art, including the Hera of Samos, the Motya charioteer, the Parthenon frieze, and newly commissioned photography of one of the masterpieces of later Greek art, the Alexander Sarcophagus. Written in a clear style, the book neatly balances lucid description with insightful interpretation and discussion. Intended for students and art enthusiasts of any age, it provides the most accessible and authoritative introduction to Greek art and archaeology available today.
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This richly illustrated, four-colour textbook introduces the art and archaeology of ancient Greece, from the Bronze Age through to the Roman conquest. Suitable for students with no prior knowledge of ancient art, this textbook reviews the main objects and monuments of the ancient Greek world, emphasizing the context and function of these artefacts in their particular place and time. Students are led to a rich understanding of how objects were meant to be perceived, what 'messages' they transmitted and how the surrounding environment shaped their meaning. The book contains nearly five hundred illustrations (with over four hundred in colour), including specially commissioned photographs, maps, floorplans and reconstructions. Judith M. Barringer examines a variety of media, including marble and bronze sculpture, public and domestic architecture, painted vases, coins, mosaics, terracotta figurines, reliefs, jewellery and wall paintings. Numerous text boxes, chapter summaries and timelines, complemented by a detailed glossary, support student learning.
A richly illustrated, authoritative, and accessible new survey that combines a clear chronological narrative with a fresh and up-to-date account of Greek art and archaeology.
This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. Greek Art and Architecture explores the development of Greek art across three centuries. This extensively illustrated and clearly written text is accessible to introductory-level students. The major categories of Greek Art and architecture- including sculpture, vase painting, wall painting, and metal work in a historical, social, and archaeological context, are explored.
Surveys Greek archeology from the collapse of the Mycenaean palaces to the subordination of the last Hellenistic kingdoms to Rome. Its aim is to study Greek art through the material record, and against its cultural and social backdrop. Through concise, systematic coverage of the main categories of classical monuments, the reader is taken on a tour of ancient Greece through the most important period in its history, the first millennium BC. Architecture and city planning, sculpture, painting, pottery, metallurgy, jewelry, and numismatics are some of the areas covered. Divided into accessible, user-friendly sections including case studies, terminology, charts, maps, a timeline, and full index, the book is designed primarily for art and archeology students as well as for anyone interested in Greek art and culture.
Celebrated for its abundant illustrations and accessible voice, Art & Archaeology of the Greek World arrives in its second edition with more coverage of the earliest Bronze Age and latest Hellenistic periods, and increased archaeological context; the picture of ancient Greek art is expanded to help readers better understand how the subject connects to, and reflects, the historical developments of the time. Richard Neer's clear chronological narrative takes readers through the artistic developments in Greek culture from the Minoans to the Roman conquest. We learn about how art was made and used, and how it can offer a window into the changing social and cultural world of ancient Greece. Still the most visually led book on the subject, the text is supported with highquality photographs, reconstructions, maps and plans that help build a vibrant picture of the ancient world. Each chapter begins with a chronology and map, situating the reader in time and place as we follow the development of an ancient visual culture that still influences us today.
Spanning three thousand years, the text and illustrations of 'Greek Art and Archaeology' follow developments in architecture, sculpture, vase painting, and wall painting as they evolve from their earliest appearances in Bronze Age and Aegean cultures to their elaborated and expressive forms in the Hellenistic age, just before the birth of Christ. This second edition integrates all the latest major archaeological discoveries, including the wreckage of a Greek trading vessel raised from the sea near Uluburun, Turkey. And its coverage of Hellenistic art is significantly expanded over that of the first edition.
John Boardman, one of the best known and acknowledged scholars of the classical Greek world, has updated his definitive survey of its arts, the most influential and widely known historic artistic tradition of the Old World. In the twenty years since the last edition was released, valuable evidence has come to light which has dramatically enhanced our understanding of the arts of ancient Greece and their influence. It is now known that Greek artists completed their stone sculptures with realistic color, as well as working with a wealth of other materials. This proves that the romantic notion of an age of classic, pure white marble is a Renaissance construction which has persisted to the present day. The work of individual artists, as well as schools of artists, can be identified, creating a clearer picture than ever before of how art and artistic traditions traveled throughout the Greek world and beyond it. Boardman encourages the reader to consider the masterpieces that have been preserved in their original context. He weaves into his discussion of the arts insights into the society that produced them. Illustrated in full color throughout for the first time, this fifth edition demonstrates yet more vividly the artistic aims and achievements of ancient Greece.
- Author : Cram101 Textbook Reviews
- Publisher : Cram101
- Release Date : 2012-07
- Genre : Uncategorized
- Pages : 127
- ISBN : 1478407328
Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780205001330 .
- Author : Clemente Marconi
- Publisher : Oxford Handbooks
- Release Date : 2015
- Genre : Art
- Pages : 710
- ISBN : 9780199783304
This handbook explores key aspects of art and architecture in ancient Greece and Rome. Drawing on the perspectives of scholars of various generations, nationalities, and backgrounds, it discusses Greek and Roman ideas about art and architecture, as expressed in both texts and images, along with the production of art and architecture in the Greek and Roman world.
- Author : William A. P. Childs
- Publisher : Princeton University Press
- Release Date : 2018-04-10
- Genre : Art
- Pages : 363
- ISBN : 9780691176468
Greek Art and Aesthetics in the Fourth Century B.C. analyzes the broad character of art produced during this period, providing in-depth analysis of and commentary on many of its most notable examples of sculpture and painting. Taking into consideration developments in style and subject matter, and elucidating political, religious, and intellectual context, William A. P. Childs argues that Greek art in this era was a natural outgrowth of the high classical period and focused on developing the rudiments of individual expression that became the hallmark of the classical in the fifth century. As Childs shows, in many respects the art of this period corresponds with the philosophical inquiry by Plato and his contemporaries into the nature of art and speaks to the contemporaneous sense of insecurity and renewed religious devotion. Delving into formal and iconographic developments in sculpture and painting, Childs examines how the sensitive, expressive quality of these works seamlessly links the classical and Hellenistic periods, with no appreciable rupture in the continuous exploration of the human condition. Another overarching theme concerns the nature of “style as a concept of expression,” an issue that becomes more important given the increasingly multiple styles and functions of fourth-century Greek art. Childs also shows how the color and form of works suggested the unseen and revealed the profound character of individuals and the physical world.
- Author : DIMITRIS. PLANTZOS
- Publisher : Unknown
- Release Date : 2018-08-02
- Genre : Uncategorized
- Pages : 360
- ISBN : 6185209209
This innovative look at ancient Greek painting combines a standard comprehensive survey of the material record - wall-paintings, painted panels, or slabs - with an in-depth exploration of the ways in which the people of Ancient Greece appreciated this demanding art. Plantzos looks at techniques, styles, themes, and masters, as well as their admirers, clients, and critics. At the same time, he discusses recent breakthroughs in archaeology, cultural studies, and art history. The book is unique in its reflections of new, mul¬tidisciplinary approaches to the material record which it combines with a more traditional, art-historical exploration; it draws on a wide range of ancient authorities - from Plato and Xenophon to Cicero, Pliny, Lucian, and Philostratus. The book covers painting in Bronze-Age Greece (Cyclades, Crete, Santorini, Mycenaean Greece); painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD.
An introduction for students, teachers, and lay readers to the delights of exploring the world of ancient Greece.
A comprehensive, authoritative account of the development Greek Art through the 1st millennium BC. An invaluable resource for scholars dealing with the art, material culture and history of the post-classical world Includes voices from such diverse fields as art history, classical studies, and archaeology and offers a diversity of views to the topic Features an innovative group of chapters dealing with the reception of Greek art from the Middle Ages to the present Includes chapters on Chronology and Topography, as well as Workshops and Technology Includes four major sections: Forms, Times and Places; Contacts and Colonies; Images and Meanings; Greek Art: Ancient to Antique
Mark D. Fullerton blends the art of the Roman period with its history of political intrigue, military and religious ideologies, and intercultural interaction. The book not only explores the art of Rome itself but also that of the Roman provinces, including Syria, Egypt, Algeria, Greece and the British Isles, showing how Roman art drew from and influenced the wider ancient world. Each of the book's four parts opens with a timeline and historical overview, allowing the reader to better understand how the art relates to the political and social lives of the people of ancient Rome. Individual chapters begin with a map of Rome, illustrating how the city changed over centuries of rebuilding and reimagining. With an introduction, 'What Is Roman about Roman Art?', and 'Materials and Techniques' features on the artistic innovations introduced by the Romans, such as concrete, linear and atmospheric perspective, and mosaic, the book explores how Roman influences still affect the art and architectural world today.
For freshman/sophomore-level courses in (Introduction to) Greek Art, Greek Archaeology, Greek Civilization, found in both Art History and Classics Departments. Extensively illustrated and clearly written to be accessible to introductory-level students, this text examines the major categories of Greek architecture, sculpture, vasepainting, wallpainting, and metalwork in an historical, social, and archaeological context. Focusing on form, function, and history of style, it explores art and artifacts chronologically from the Early Bronze through the Hellenistic eras (ca. 3000 to ca. 30 BC) and by medium. Throughout, it blends factual information with stimulating interpretation and juxtaposes long-standing notions with the latest archaeological discoveries and hypotheses.
This survey combines a chronological narrative with an up-to-date account of Greek art and archaeology. The coverage of the ancient Greek world emphasizes its diverse character, and provides a broad historical, cultural, and social context.