"""Suppose,"" Clifford Geertz suggests, ""having entangled yourself every now and again over four decades or so in the goings-on in two provincial towns, one a Southeast Asian bend in the road, one a North African outpost and passage point, you wished to say something about how those goings-on had changed."" A narrative presents itself, a tour of indices and trends, perhaps a memoir? None, however, will suffice, because in forty years more has changed than those two towns--the anthropologist, for instance, anthropology itself, even the intellectual and moral world in which the discipline exists. And so, in looking back on four decades of anthropology in the field, Geertz has created a work that is characteristically unclassifiable, a personal history that is also a retrospective reflection on developments in the human sciences amid political, social, and cultural changes in the world. An elegant summation of one of the most remarkable careers in anthropology, it is at the same time an eloquent statement of the purposes and possibilities of anthropology's interpretive powers. To view his two towns in time, Pare in Indonesia and Sefrou in Morocco, Geertz adopts various perspectives on anthropological research and analysis during the post-colonial period, the Cold War, and the emergence of the new states of Asia and Africa. Throughout, he clarifies his own position on a broad series of issues at once empirical, methodological, theoretical, and personal. The result is a truly original book, one that displays a particular way of practicing the human sciences and thus a particular--and particularly efficacious--view of what these sciences are, have been, and should become."
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Promised financial security, Jerry Flint hires on with the mysterious Pilgrim Foundation. Next morning Jerry awakes in 19th century Illinois. His irrevocable assignment: Save President Lincoln from assassination. With only his wits, an unusual natural gift, and Pilgrim's mysterious pocket watch, Jerry must succeed or remain trapped in a time loop. The novels PYRAMIDS and AFTER THE FACT are part of a two volume series featuring the time traveler Pilgrim.
The big problem with romance is eliminating the guess work. Who hasn’t toyed with the idea of two people who are “meant to be” together? Peter and Isabel are no exception. They, too, toy with the idea. However, when it comes to finding out, they run separate from the pack. Contract in hand, Peter and Isabel intend to find out – in fifteen weeks, no less – if they are destined for each other, or not. How in the Greater New Orleans Area can two human beings put fate on a timetable? Beware of biting off more than you can chew.
Originally published in 1967, Meagher’s masterful dissection of the Warren Report, based on the Warren Commission’s own evidence, has stood the test of time. In some cases, declassifications of government records have corroborated the author’s suspicions and analyses, such as her amazing assertion that Oswald had never actually been charged with Kennedy’s murder, despite sworn testimony to the contrary. Meagher’s book raises serious questions not only about Oswald’s guilt in the JFK assassination and related crimes, such as the Tippit murder and the Walker shooting, but also about the methods and honesty of the Warren Commission, the FBI, and various Dallas police and other officials. When the Church Committee first began to re-examine the Warren Commission and its relationship with intelligence agencies in 1975, investigators were shocked by what they discovered. In Accessories After the Fact, Sylvia Meagher delivers a blistering blow to the credibility of the Warren Report, and decades after its original publication researchers and readers are still discovering what made her work so important.
In archaeology, photography is mainly used as a technique for gathering data and evidence. Within the framework of the research project '(in)site, site-specific photography revisited' the relationship between photography and archaeology, or broader, history is explored. How do photographers visualize history? What is the importance of place, particularly the place that remains after the event took place? How do photographers or artists use photography to depict the past, when time has become 'past time'? These articles and portfolios explore, both on practical and theoretical level, how history can be captured. The research project is an attempt to redefine the traditional relationship between archaeology and photography in order to produce new forms of image-making more adapted to contemporary visual culture. The project considers photography as a practice in which a picture is shaped and constructed by the photographer, not a practice in which a picture is mechanically taken.
In looking back on four decades of anthropology in the field, Clifford Geertz creates a personal history that is also a retrospective reflection on developments in the human sciences amid political, social, and cultural changes in the world.
Why do we no longer trust facts, experts and statistics? In this essential guide to the turbulent times in which we live, Marcus Gilroy-Ware investigates our era of post-truths and fake news and answers the question of where we can go from here. We are supposed to have more information at our disposal now than at any time in history. So why, in a world of rising sea levels, populist leaders, resurgent fascism and a global pandemic, do so many people believe bizarre and untrue things about the world we live in? In After the Fact?, Marcus Gilroy-Ware shows us what really created the conditions for mis- and disinformation, from fake news and conspiracy theories, to bullshit journalism and the resurgence of the far-right, and why liberal newspaper columnists and centrist politicians are unable to turn back this tide. Spanning politics, culture, psychology, journalism, and much more, After the Fact? is a timely wake-up call for those who believe we can simply go "back to normal", and instead argues that, if we are to put an end to "fake news" we must deal with the broader social crises that are responsible for it.
- Author : Anonim
- Publisher : McGraw-Hill Higher Education
- Release Date :
- Genre : Uncategorized
- Pages : 231
- ISBN : 9780077413484
- Author : James Gerard Devaney
- Publisher : Cambridge University Press
- Release Date : 2016-09-29
- Genre : Law
- Pages : 231
- ISBN : 9781316720899
Fact-Finding before the International Court of Justice examines a number of significant recent criticisms of the way in which the ICJ deals with facts. The book takes the position that such criticisms are warranted and that the ICJ's current approach to fact-finding falls short of adequacy, both in cases involving abundant, particularly complex or technical facts, and in those involving a scarcity of facts. The author skilfully examines how other courts such as the WTO and inter-State arbitrations conduct fact-finding and makes a number of select proposals for reform, enabling the ICJ to address some of the current weaknesses in its approach. The proposals include, but are not limited to, the development of a power to compel the disclosure of information, greater use of provisional measures, and a clear strategy for the use of expert evidence.
Reports of Cases at Common Law and in Chancery Argued and Determined in the Supreme Court of the State of Illinois
- Author : Illinois. Supreme Court
- Publisher : Unknown
- Release Date : 1929
- Genre : Law reports, digests, etc
- Pages : 231
- ISBN : OSU:32437011899925
Katrina After the Fact is a poignant look at life in New Orleans after the storm. Told through the eyes of a local, the author takes you through the personal side of Katrina's aftermath. The subtitle says it all with chapters that run the gamut, from waxing nostalgic in "Real New Orleanians" and "Do You Know What it Means to Miss the Cuisine?" to "The Sounds of New Orleans," which details fictional, but disturbing accounts of those left behind to weather the storm. Fed up with government gaffes and inefficiency, the author takes aim on the endless bureaucracy holding the city's residents back from rebuilding and getting on with their lives. You won't be able to put down this descriptive and emotional rollercoaster ride as the author paints a humorous and sometimes frightening picture as colorful as the city itself.