In this investigation into loss, losing and being lost, Rebecca Solnit explores the challenges of living with uncertainty. A Field Guide to Getting Lost takes in subjects as eclectic as memory and mapmaking, Hitchcock movies and Renaissance painting, Beautifully written, this book combines memoir, history and philosophy, shedding glittering new light on the way we live now.
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“A cozy and enjoyable read.” —Kirkus Reviews “The likable cast and relatable premise will resonate with readers grappling with the uncertainty of change.” —Booklist A girl with a passion for science and a boy who dreams of writing fantasy novels must figure out how to get along now that their parents are dating in this lively, endearing novel. Sutton is having robot problems. Her mini-bot is supposed to be able to get through a maze in under a minute, but she must have gotten something wrong in the coding. Which is frustrating for a science-minded girl like Sutton—almost as frustrating as the fact that her mother probably won’t be home in time for Sutton’s tenth birthday. Luis spends his days writing thrilling stories about brave kids, but there’s only so much inspiration you can find when you’re stuck inside all day. He’s allergic to bees, afraid of dogs, and has an overprotective mom to boot. So Luis can only dream of daring adventures in the wild. Sutton and Luis couldn’t be more different from each other. Except now that their parents are dating, these two have to find some common ground. Will they be able to navigate their way down a path they never planned on exploring?
What's the point of being a Christian anymore? Many Christians today are feeling unfulfilled in their walk with God, and they have no idea it's because of the little decisions they're making each day that are leading them into lives of compromise. In Navigate Your Faith Ron Pratt uses a fictional American family to expose how the enemy lures believers into prioritizing their own pleasure, entertainment, or career goals over their relationship with Christ. This erodes their passion for Jesus and causes them to become spiritually bored and have powerless Christian lives. Rather than claiming that God will approve of Christians no matter what they do, as some modern ministers do, Navigate Your Faith challenges readers to take a hard look at their lives and see if they're simply incorporating Jesus into their lifestyles or allowing Him to set them on a course of His choosing. With proven strategies to rebuild lost intimacy with God, this book will help Christians recognize the deceptive tactics of the enemy, break out of complacency, and make a greater impact on the world around them. This book will help you recognize and avoid the deception of today's nominal Christian culture.
Travel writing, migrant writing, exile writing, expatriate writing, and even the fictional travelling protagonists that emerge in literary works from around the globe, have historically tended to depict mobility as a masculine phenomenon. The presence of such genres in women’s writing, however, poses a rich and unique body of work. This volume examines the texts of Francophone women who have experienced or reflected upon the experience of transnational movement. Due to the particularity of their relationship to home, and the consequent impact of this on their experience of displacement, the study of women's mobility opens up new questions in our understanding of the movement from place to place, and in our broader understanding of colonial and postcolonial worlds. Addressing the proximities and overlaps that exist between the experiences of women exiles, migrants, expatriates and travellers, the collected essays in this book seek to challenge the usefulness, relevance or validity of such terms for conceptualising today’s complex patterns of transnational mobility and the gendered identities produced therein.
- Author : Laurie Anne Zaleski
- Publisher : Austin Macauley
- Release Date : 2020-05-29
- Genre : Young Adult Nonfiction
- Pages : 72
- ISBN : 1643789015
A Young Person's Field Guide to Finding Lost Shipwrecks is an autobiographical account of a nautical archeological expedition. Written by the marine geologist in charge of the survey, it discusses and explains the science behind a multibeam sonar and other technology used for the expedition, as well as describing the day-to-day operations aboard a 37-meter research vessel. The story begins alongside a dock in Cadiz, Spain, where three archeologists, two college students on a summer internship, three captains, one cook, one engineer, two scuba divers, one able-bodied seaman and the author are aboard the Hercules getting ready to set sail in search of the Santísima.Readers learn a lot more than science in this true-life account of a scientific expedition. They learn history, eat tapas, and even dance the flamenco, all while in search of a 200-year-old shipwreck.
"The Blue of Distance," published to accompany a group exhibition at the Aspen Art Museum, is a reflection on the color blue's uncanny relationship to absence, desire and distance. Featuring photography, drawing, sculpture and sound by the artists Vija Celmins, Jason Dodge, Félix González-Torres, Roni Horn, Marie Jager, Catherine Opie, Paul Ramirez Jonas, Cy Twombly and Cerith Wyn Evans, the publication explores the blue at the far edge of what can be seen, the color of the horizon, the ocean and the immaterial. Weaving together a larger narrative about the distance between us and the objects of our desire, the catalogue includes an essay by Courtenay Finn, an excerpt from Rebecca Solnit's "A Field Guide to Getting Lost" and a new piece by Anne Carson.
In 1981, Rebecca Solnit rented a studio apartment in San Francisco that would be her home for the next twenty-five years. There, she began to come to terms with the epidemic of violence against women around her, the street harassment that unsettled her, and the authority figures that routinely disbelieved her. That violence weighed on her as she faced the task of having a voice in a society that preferred women to shut up or go away. Set in the era of punk, of growing gay pride, of counter culture and West Coast activism, during the latter years of second wave feminism, Recollections of My Non-Existence is the foundational story of an emerging artist struggling against patriarchal violence and scorn. Recalling the experience of living with fear, which Solnit contends is the normal state of women, she considers how oppression impacts on creativity and recounts the struggle to find a voice and have it be heard. Place and the growing culture of activism liberated her, as did the magical world of literature and books. And over time, the clamour of voices against violence to women coalesced in the current feminist upheaval, a movement in which Solnit was a widely audible participant. Here is an electric account of the pauses and gains of feminism in the past forty years; and an extraordinary portrait of an artist, by a seminal American writer.
Reporting from the front lines of gentrification in San Francisco, Rebecca Solnit and Susan Schwartzenberg sound a warning bell to all urban residents. Wealth is just as capable of ravaging cities as poverty.
Recounts the author's travels in Ireland, with reflections on the microcosm of Irish history, with its invasions, colonization, emigration, nomadism, and tourism
Who gets to shape the narrative of our times? The current moment is a battle over that foundational power. Women, people of colour and non-straight people are telling other versions, and white men in particular are fighting to preserve their own centrality. In this outstanding collection of essays by one of the most prescient and insightful commentators today, Solnit appraises the voices that are emerging, why they matter and the obstacles they face in making themselves heard.
The incomparable Rebecca Solnit, author of more than a dozen acclaimed, prizewinning books of nonfiction, brings the same dazzling writing to the essays in Encyclopedia of Trouble and Spaciousness. As the title suggests, the territory of Solnit’s concerns is vast, and in her signature alchemical style she combines commentary on history, justice, war and peace, and explorations of place, art, and community, all while writing with the lyricism of a poet to achieve incandescence and wisdom. Gathered here are celebrated iconic essays along with little-known pieces that create a powerful survey of the world we live in, from the jungles of the Zapatistas in Mexico to the splendors of the Arctic. This rich collection tours places as diverse as Haiti and Iceland; movements like Occupy Wall Street and the Arab Spring; an original take on the question of who did Henry David Thoreau’s laundry; and a searching look at what the hatred of country music really means. Solnit moves nimbly from Orwell to Elvis, to contemporary urban gardening to 1970s California macramé and punk rock, and on to searing questions about the environment, freedom, family, class, work, and friendship. It’s no wonder she’s been compared in Bookforum to Susan Sontag and Annie Dillard and in the San Francisco Chronicle to Joan Didion. The Encyclopedia of Trouble and Spaciousness proves Rebecca Solnit worthy of the accolades and honors she’s received. Rarely can a reader find such penetrating critiques of our time and its failures leavened with such generous heapings of hope. Solnit looks back to history and the progress of political movements to find an antidote to despair in what many feel as lost causes. In its encyclopedic reach and its generous compassion, Solnit’s collection charts a way through the thickets of our complex social and political worlds. Her essays are a beacon for readers looking for alternative ideas in these imperiled times.
From the author of the memoir Recollections of My Nonexistence, a personal, lyrical narrative about storytelling and empathy – a fitting companion to Solnit’s A Field Guide to Getting Lost A finalist for the National Book Critics Circle Award In this exquisitely written book by the author of A Paradise Built in Hell, Rebecca Solnit explores the ways we make our lives out of stories, and how we are connected by empathy, by narrative, by imagination. In the course of unpacking some of her own stories—of her mother and her decline from memory loss, of a trip to Iceland, of an illness—Solnit revisits fairytales and entertains other stories: about arctic explorers, Che Guevara among the leper colonies, and Mary Shelley’s Dr. Frankenstein, about warmth and coldness, pain and kindness, decay and transformation, making art and making self. Woven together, these stories create a map which charts the boundaries and territories of storytelling, reframing who each of us is and how we might tell our story.